1. |
Facet Thirteen
02:56
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2. |
Facet Fourteen
08:25
|
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3. |
Facet Fifteen
01:48
|
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4. |
Interlude I
02:44
|
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5. |
Facet Sixteen
01:45
|
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6. |
Facet Seventeen
06:03
|
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7. |
Facet Eighteen
01:48
|
|||
8. |
Interlude II
02:06
|
|||
9. |
Facet Nineteen
00:40
|
|||
10. |
Facet Twenty
03:11
|
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11. |
Facet Twenty-One
02:48
|
|||
12. |
Facet Twenty-Two
03:35
|
|||
13. |
Interlude III
01:47
|
|||
14. |
Facet Twenty-Three
00:55
|
|||
15. |
Facet Twenty-Four
03:11
|
|||
16. |
Interlude IV
02:24
|
|||
17. |
||||
18. |
Wolf One
01:57
|
|||
19. |
Wolf Two-Piano Solo
00:56
|
|||
20. |
Wolf Two-Ensemble
03:40
|
|||
21. |
Wolf Two-Bass Solo
01:43
|
|||
22. |
Warp Three-Ensemble
02:38
|
|||
23. |
Warp Three-Drum Solo
01:00
|
|||
24. |
Warp Four
02:28
|
|||
25. |
Wolf Five-Part One
02:40
|
|||
26. |
Wolf Five-Part Two
02:44
|
|||
27. |
Wolf Six
02:42
|
|||
28. |
Wolf Seven
02:40
|
Hafez Modirzadeh New York, New York
Composer/saxophonist/theorist Modirzadeh, developed his pioneering “chromodal” concept, a cross-cultural musical approach developed from American jazz and Iranian dastgah heritages. He has published on the subject and developed performance techniques to adapt the saxophone to the Persian tuning system. He received his Masters from UCLA and his Ph.D. in Ethnomusicology from Wesleyan University. ... more
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